Raymond MacDonald is Professor of Music Psychology and improvisation at University pf Edinburgh. His ongoing research focuses on issues relating to improvisation, psychology of music, music health and wellbeing, musical identities and music education. He has published over 70 papers and co-edited five texts Musical Identities (2002) and Musical Communication (2005) Music Health and Wellbeing (2012) and Musical Imaginations (2012). The Handbook of musical identities (2017). As a saxophonist and composer his work is informed by a view of improvisation as a social, collaborative and uniquely creative process that provides opportunities to develop new ways of working musically. Collaborating with musicians such as Evan Parker, David Byrne, Jim O’Rourke and Marilyn Crispell, he has released over 50 CDs and toured and broadcast worldwide.
Jonathan is Professor of Music and Associate Dean at the University of Westminster with overarching responsibility for postgraduate programmes within the School. He trained initially as a performer working across jazz, popular and contemporary genres, and then specialised in electro-acoustic and computer music composition leading to the award of a DPhil in 1988 from the University of York, UK. He has led the development of ground-breaking courses in jazz and popular music in the UK and held various high-level positions in Universities and Colleges in the UK and Australia including Associate Dean at the Victorian College of the Arts, University of Melbourne, and Principal of the Royal Northern College of Music. As well as an extensive performance and compositional output, his on-going research is practice-led and concerned with improvisation, representation and audience but also interdisciplinary, and critical in nature looking at real and imagined sound objects and acoustic space. Jonathan has undertaken academic work and consultancy in the UK, The Netherlands, Hong Kong, Singapore, Australia and New Zealand, and held Director roles with Conservatoires UK, and the Associated Board of the Royal Schools of Music.
Catherine’s research interests include historical and critical musicology with particular reference to jazz and popular music, early and European jazz, recording, jazz influenced music, and performance practice. She has written two books - The Evolution of Jazz in Britain: c. 1880-1935 (2005) and Benny Goodman’s Famous 1938 Carnegie Hall Jazz Concert (2012) - and co-edited Black British Jazz: Routes, Ownership and Performance (2014). From 2012 to 2014 she was Principal Investigator of the AHRC Research Networking project ‘Atlantic Sounds: Ships and Sailortowns’ and continues to develop work on music and the sea, with particular reference to Britain and the Atlantic.
Catherine is a co-editor of the Jazz Research Journal (Equinox). She is Musical Director of Dr Jazz and the Cheshire Cats Big Band.
Walter van de Leur
Katherine Williams is Lecturer in Music at Plymouth University. Her research interests include improvisation, Duke Ellington, British jazz, the singer-songwriter and gender in music. Publications include articles in Jazz Perspectives and Jazz Research Journal, her book Rufus Wainwright and co-edited collections The Cambridge Companion to the Singer-Songwriter and The Singer-Songwriter Handbook (forthcoming, Bloomsbury Academic).